Vasyl Bezkorovayny’s vocal works in Ukrainian music of the first half of the XX century
DOI:
https://doi.org/10.37222/2524-0315-2019-11(27)-21Keywords:
vocal music, chorus, solos, melodic-intonation means, harmony, rhythm.Abstract
Vasyl Bezkorovayny (1880–1966) was a talented artist, an active figure in the musical life of Galicia and a representative of post-war Ukrainian emigrants in the United States of America. He wrote more than 350 works of various genres. Among them are compositions for symphony orchestra; vocal works — for chorus, ensembles or solo singing; chamber and instrumental music — for piano, violin, zither, cello; music for dramatic performances.
The article deals with the archival and musicological analysis of expressive and stylistic features of V. Bezkorovayny’s vocal works, based on the materials of Stefanyk Lviv National Library of Ukraine. Attention is paid to the place of the composer’s vocal masterpieces in the context of Ukrainian vocal music of the first half of the XX century. The most important achievements of the composer related to the genres of choral and chamber vocal music. In style, the composer’s works combine the influences of M. Lysenko, composers of the «Peremyshl school» and Western European romantic and post-romantic models. The original secular choral music of V. Bezkorovayny covers genres of songs, plays, and large-form choirs. In his solo songs the influences of romantic western European music and Ukrainian folk songs affected the formation and approval of the composer’s style.
References
Andros, N., Dzhenkov, V., & Semenenko, N. (1986). Ukrainska khorova literatura: (radianskyi period), 2, 134 p. [in Ukr.].
Bulat, T. P. (1979). Ukrainskyi romans. Kyiv: Nauk. dumka, 320 p. [in Ukr.].
Vytvytskyi, V. (2004). Starohalytska solna pisnia XIX stolittia. Przemysl: Mytusa, 158 p. [in Ukr.].
Zolochevskyi, V. (1964). Lado-harmonichni osnovy ukrainskoi radianskoi muzyky (deiaki pytannia narodnosti). Kyiv: Nauk. dumka, 163 p. [in Ukr.].
Istoriia ukrainskoi muzyky. (1989–1992). (Vol. 4: 1917–1941). Kyiv: Nauk. dumka, 613, [2] p. Pro V. Bezkorovainoho na p. 71, 263, 277, 285, 306, 558, 562. [in Ukr.].
Kyianovska, L. (2000). Stylova evoliutsiia halytskoi muzychnoi kultury XIX–XX st. Ternopil: ASTON, 340 p. [in Ukr.].
Kozarenko, O. (2000). Fenomen ukrainskoi natsionalnoi muzychnoi movy. Lviv: NTSh, 284 p. [in Ukr.].
Liudkevych, S. (1999). Doslidzhennia, statti, retsenzii, vystupy. Z. Shtunder (Ed.). (Vol. 1). Lviv: vyd-vo M. Kots, 496 p. (Istoriia ukrainskoi muzyky; 5). [in Ukr.].
Parkhomenko, L. (1979). Ukrainska khorova piesa: typolohiia, tematyzm, kompozytsiia. Kyiv: Nauk. dumka, 220 p. [in Ukr.].
Semenenko, N. F., Andros, N., & Dzhenkova, V. (1987). Folklorni rysy harmonii khorovoi muzyky. Kyiv: Nauk. dumka, 133 p. [in Ukr.].
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2019 Наталія Косаняк

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Authors who publish with this journal agree to the following terms:
1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).






